ASSOCIATE PROFESSOR, INDIGENOUS ARTS OF THE AMERICAS. DIRECTOR OF GRADUATE STUDIES.
Ph.D. University of California, Berkeley (M.Arch, University of California, Berkeley)
Office Dodd 212C
Office Hours: Per quarterly schedule, or by appointment
Stella Nair’s scholarship focuses on the built environment of indigenous communities in the Americas and is shaped by her interests in construction technology, spatial theory, material culture studies, landscape transformations, cross-cultural exchange, and hemispheric networks. Trained as an architect and architectural historian, Nair has conducted fieldwork in Bolivia, Mexico, Peru, and the United States, with ongoing projects in the South Central Andes.
Nair’s publications explore a range of subjects and regions such as colonial Andean paintings, Tiahuanaco lithic technology, the design of Inca royal estates, eighteenth century woven roofs, and Brazilian urbanism. Nair’s current book project, “Shelter, Shrine, and Prison: The Acllauasi and Other Spaces for Women in the Inca Empire,” will be the first in-depth study of the acllauasi (“house of the chosen women”) and of female space in the Inca Empire. Nair’s previous book, At Home with the Sapa Inca: Architecture, Space, and Legacy at Chinchero (University of Texas, 2015), examines the sophisticated ways in which the Inca manipulated space and architecture to impose their authority. Nair has also published (with Jean-Pierre Protzen) a book entitled The Stones of Tiahuanaco: A Study of Architecture and Construction (Cotsen Institute of Archaeology Press, 2013), which explores one of the world’s most artful and sophisticated carving traditions. Nair’s article “Localizing Sacredness, Difference, and Yachacuscamcani in a Colonial Andean Painting” was honored by its selection as one of thirty-two “greatest hits” articles published in the last hundred years of the Art Bulletin.
Nair has received numerous research grants and fellowships from the American Philosophical Association, the Center for the Study of the Visual Arts (National Gallery of Art), Dumbarton Oaks, the Fulbright Institute, the Getty Foundation, and the John Carter Brown Library. More recently, Nair was awarded a Rome Prize by the American Academy of Rome and a John Simon Guggenheim Memorial Fellowship from the Guggenheim Foundation.
Currently, Nair is a member of the “Sound, Space, and the Aesthetic of the Sublime” multi-year, interdisciplinary research project funded by the Templeton Religious Trust (P.I. Jonathan Berger, Stanford University). She holds the 2021-22 “Research Excellent Award” from the UCLA Center for the Study of Women in support of her book manuscript on women and Inca architecture. In 2022-23, Nair and Paul Neill (Florida State University) will serve as Clark Professors, co-directing the year long, international, and interdisciplinary Core Foundation Program, “The Forgotten Canopy: Ecology, Ephemeral Architecture, and Imperialism in the Circum-Caribbean and the Transatlantic World” at the Clark Library/Center for 17th and 18th Century Studies at UCLA.
Nair directs the Andean Laboratory and the Architecture laboratory at the Cotsen Institute of Archaeology, both of which foster research for students (graduate and undergraduate) as well as affiliated researchers working on Andean and Architectural topics at UCLA. In addition, Nair advises the Andean Working Group, which brings together Andean specialists in the greater Los Angeles region to share research; and, with Kevin Terraciano, the Indigenous Material and Visual Culture Reading Group , which brings together students and faculty across campus who work on indigenous material culture A.D 1450-1850.
Stella Nair is an Associate Professor in the Department of Art History. She is also Core Faculty in the American Indian Studies Interdepartmental Program, the Archaeology Interdepartmental Program and the Center for 17th and 18th Century Studies at UCLA. In addition, Nair is Affiliated Faculty with the American Indian Studies Center, the Center for Medieval and Renaissance Studies, and the Latin American Institute.
- At Home with the Sapa Inca: Architecture, Space, and Legacy at Chinchero. Austin: University of Texas Press, 2015.
- The Stones of Tiahuanaco: A Study of Architecture and Construction (with Jean-Pierre Protzen). Los Angeles: Cotsen Institute of Archaeology Press, 2013.
- Las piedras de Tiahuanaco: un estudio de arquitectura y construccion (with Jean-Pierre Protzen). Lima, Perú: Pontificia Universidad Católica del Perú, (Spanish translation of The Stones of Tiahuanaco) 2016.
- “The Lost Half of Andean Architecture: 18th Century Building Traditions and Environmental Use at Chinchero, Peru,” (with Sonia Archila and Christine Hastorf) in Latin American Antiquity 29, no. 2 (June 2018): 222-238.
- “Time and Space in the Architecture of Inca Royal Estates,” in The Measure and Meaning of Time in Mesoamerica and the Andes, edited by Anthony Aveni. Cambridge, Massachusetts: Harvard University Press (2015): 119-139.
- “Inca Built Environment: Architecture and Landscape: Variation, Technology and Symbolism” (with Jean Pierre Protzen), in インカ帝国：研究のフロンティア (Inka Empire: Research Frontiers), edited by Izumi Shimada and Ken-ichi Shinoda, 265–287. Tokyo: Tokai University Press, 2012.
- “Inca Architecture and the Conquest of the Countryside,” in Architecture – Design Theory – Inca Structures, edited by Johanna Dehlinger and Hans Dehlinger, 114–125. Kassel: Kassel University Press, 2009.
- “Witnessing the In-Visibility of Inca Architecture in Colonial Peru,” in Buildings and Landscapes 14, no. 2 (Fall 2007): 50–65.
- “Localizing Sacredness, Difference, and Yachacuscamcani in a Colonial Andean Painting,” Art Bulletin 89, no. 2 (June 2007): 209–238.
- “¿Neo inca o Colonial? La muerte de la arquitectura inca y otros paradigmas,” Identidad y transformación en el Tawantinsuyu y en los Andes coloniales. Perspectivas arqueológicas y etnohistóricas (segunda parte) 7 (2003): 113–131. Edited by Peter Kaulicke, PUCP Pontificia Universidad Católica del Perú, Lima, Peru.
SELECTED COURSES TAUGHT, UNDERGRADUATE
- Architecture and Feminism (seminar)
- Gender in Maya and Mexica Art (seminar)
- Art, Architecture, and Urbanism of the Americas until 1450 A.D. (lecture)
- Art, Architecture, and Urbanism of Latin America, 1450 A.D.–present (lecture)
- Art Historical Theories and Methodologies (seminar)
- Arts of the Andes (lecture)
- Cuzco: A Journey into the Urban Unknown (seminar)
- Inca Visual Culture (lecture)
- Making Sacred Landscapes: Pilgrimage in the Medieval World (lecture)
SELECTED COURSES TAUGHT, GRADUATE
Architecture Theory and Method: Treatise, Viva Voce, and Race (seminar)
Understanding Gender and Space Among the Ruins (seminar)
Architecture, Space, and Landscape in Colonial Encounters (seminar)
- Art, Power, and the Sacred Capital: Tenochtitlan and Cuzco (seminar)
- Gender, Archaeology, and Architecture (seminar)
- Body, Gender, Place (seminar)
- From Law of the Indies to Brasilia: Architecture and Urbanism in Latin America (Mexico, Peru, Brazil)(seminar)
- Public Places, Private Spaces: Constructing Inca Royal Landscapes (seminar)
- The Inca in the Early Modern World (seminar)
- Charles K. Williams II Rome Prize: Fellow Profile
- Guggenheim Fellowship: Fellow Profile
- UCLA CSW Research Excellence Award Announcement
- UCLA Faculty Newsroom: Guggenheim Fellowship Announcement
- Interview in UCLA Cotsen publication Backdirt
- Story about student collaboration in Cotsen Andean and Architecture Labs
- American Indian Studies Center
- Center for 17th and 18th Century Studies
- Cotsen Institute of Archaeology
- Foundation for the Advancement of Mesoamerican Studies at LACMA
- Institute of American Cultures
- Latin American Institute
- UCLA – Getty Conservation Program
LOCAL MUSEUM COLLECTIONS
- Andean Art at the Fowler Museum
- Andean Textiles at the Fowler Museum
- Maya Arts at the Los Angeles County Museum of Art
- Andean Arts at the Los Angeles County Museum of Art
- Native Arts from the Southwest Museum of the American Indian Collection
- Panamanian Art
- Art of the Ancient Americas at the Los Angeles County Museum of Art